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Folk Art of the 90's - Beads & Charms

Question:
I'm wondering if all the beads, buttons, charms, etc will be considered by future antique dealers as a mark of the '90s, or will all the add-ons become a permanent part of fine stitchery?


Answer:
-I think that they will be a permanenet addition, but I also believe that they will date the pieces as well.

-Things will move on just as they always have, and you are almost certainly correct. Needlework styles change just the same as any other fashion - take a look at the sort of embroidery done back in the 1960s and see how dated it now looks.

-I don't think we will know for a long time. This is a renaissance of needlework and such things are almost impossible to predict. Needlework was all but dead during let's say the 1940's -1950's (even the '30's was not exactly a high point for our arts.) People felt that it was a mark of being domesticated and they did not mean it as a compliment. My mom always did it but I remember long trips to New York City trying to find just the right fabric or beads for her next project ! DMC threads, don't I wish, my first Bedspread was made with Woolworth thread ! What I believe, about not only needlework, but everything is that all of civilization is controlled by swings of extremes. (imagine a pendulum) Right NOW extreme Liberalism is in control of America - but soon (hopefully very soon!) the more conservative virtues will be remembered and our culture will correct itself, naturally. The liberals are in charge now, but only a fool thinks that will last forever. I wish it were different, but most humans still react to things by broad swings, back and forth. Nothing lasts forever -nothing, Human, that is, and everything including our interests & hobbies are forever changing, though never entirely disappearing.

If you look at the needlework of the past it lasts at least 400 years if all conditions work in its favor. But look of how few doublets we have from Shakespeare's time - gowns from the 1700's. Not nearly as many as were ever made. Look at the beautiful black work of that time. We have quite a few examples (particularly in England where it was well received and matured) but it's probably not half as much as were ever made or designed. Anything older than 400 years is more than likely very, very rare. If it's rare few people will be exposed to it or inspired by it. (look at the embroidery of the Middle Ages. All we actually have are a few rare torn rags and the printed patterns of the Renaissance.) Our work is more than likely going to exist in good shape at least 100 years, the colors will fade but probably not as rapidly as the colors of the last century. It will inspire people for at least the next century and if we have done our work well, the 23rd. century. 300 -400 years in the future there will be some examples, all in museums though some might still be in the hands of our descendents (well, those of us who have descendents.) There will be swings of the pendulum, back and forth - sometimes, needlework might be disdained ("oh, God, HOW could they waste their talents on something so domesticated !

Sometimes, it will be loved and imitated. ("Hey, Phil, guess what I found at the antique store - a cross stitch picture from the turn of the 20th. century, I am going to try and imitate it - look at this, beads and charms - let's see if we can find any here like them on Mars! Don't you JUST love the 20th century look ? I get so tired of white plastic and I am going on that Deep Space mission next year, I'll work on it when I am on watch !") The Pendulum swings - but rarely is anything completely new and our responses are never new because human nature is not new. NOW to answer your question. Yes, no doubt, they may fall out of favor with needleworkers -and be a sign screaming the date of a piece. More than likely, for a long time it won't be necessarily that there ARE beads and charms which date a piece , but which beads and charms were chosen will date our work as belonging to the late 20th. century. Some future expert will look and say date the beads to Mill House, 1999 color number**** and date the charms, also, to a certain time and company. I do pray that our race does not lose its humanity and creativity in the future and there are women who pick up our needles once we are gone (and a few men!) . Some of our work is truly beautiful and I think it will remain beautiful in all the centuries to come.



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